For me, the ballet evokes a unique kind of festive nostalgia. There’s a grandness to it. A sense of occasion. There’s excitement and grace and beauty and hypnotism. The ballet promises escapism; a temporary portal into a fantastical world.
You can therefore imagine my child-like glee when I was offered tickets to see the Scottish Ballet’s showing of Cinderella at the Festival Theatre last weekend.
I’m always fascinated by the different ways a classic tale can be told and re-told, and this version was no disappointment. Choreographed by the Scottish Ballet’s artistic director Christopher Hampson complete with set design by Tracy Grant Lord, we watch as the dancers movements, costumes and backdrops evolve from the sparse surroundings of Cinderella’s home into an increasingly magical aesthetic.
The dresses develop from basic material, design and colour before peaking at Cinderella’s embellished tutu in the ball scene – a sight my inner wannabe ballet dancer was basically in tears at. Roses were the theme woven throughout the performance, which drove the visual experience into beauty overdrive while reinforcing the implied idea that Cinderella’s story itself mirrors that of the rose: at first fragile and ordinary before flourishing into her true and beautiful form. (If you’re thinking I’m not normally this deep then you are absolutely right. But what can I say, Christmas is a time of romantic reflection and the ballet gets me all sentimental…)
It’s easy to immerse yourself watching Cinderella, when the dancers, set design and music (performed live by the Scottish Ballet Orchestra) all work together in such impressive harmony. In line with the Cinderella narrative we all know and love, the performance balances depth with comedy. It’s visually arresting and emotionally moving, factors which together played deftly into the suspicion I’d carried all along: that Cinderella was going to be a very magical experience indeed.
Congratulations to the Scottish Ballet for putting on such an excellent performance, both on stage and behind the scenes. A perfect (almost) end to 2018!